John Szoke Gallery
Picasso and the Linocut
Picasso and the Linocut
Pablo Picasso
Linocut is a linoleum-based printmaking technique whose simple production has lent it an association with early advertising. It is most comparable to woodcut, in that the creator cuts material away from the flat surface of a block. When the block is inked with a roller, the cut away places don’t take any ink so that, when inked and printed, the cut away pieces become the remaining composition.
It was a time-consuming process, tedious. And it would produce a color registration that was less than clean-cut, at that. To reduce the time needed to lay the color, and to enhance the cleanness of the registration, Picasso thought of a shortcut. the “reduction” technique – one credited to his invention and that was cultivated with the support of his printer, Arnéra.
Image Credit:
Nature Morte au Verre sous La Lampe, 1962, linocut, 20 13/16 x 25 1/8 inches
Portrait de Jacqueline aux cheveux lisses
Pablo Picasso
1962
Image: 25 3/16 x 20 11/16 inches Sheet: 29 5/8 x 24 7/16 inches Framed: 37 1/4 x 31 3/4 inches
Color linocut printed in beige, yellow, red, blue, and black on cream wove paper with Arches watermark
From the edition of 50 Signed by the artist in pencil, lower right Numbered 41/50 in pencil, lower left Printed by Arnéra, Vallauris Published by Galerie Louise Leiris, Paris 1963 (Bloch 1066) (Baer 1302.IV.B.a (v,b))
Pablo Picasso
Portrait de Jacqueline en Carmen (L'Espagnole)
1962
Image: 13 3/4 x 10 5/8 inches Sheet: 24 1/2 x 17 3/8 inches Framed: 30 x 23 inches
Linocut in three colors on Arches paper
Signed by the artist in pencil, lower right Numbered 17/50 in pencil, lower left From the edition of 50 of the fourth and final state Published by Galerie Louise Leiris, Paris, 1963 (Bloch 1095) (Baer 1324.B.a)
Nature Morte au Verre sous La Lampe
Pablo Picasso
1962
Image: 20 13/16 x 25 1/8 inches Sheet: 24 7/16 x 29 9 /16 inches Framed: 31 5/8 x 35 5/8 inches
Linocut printed in yellow, red, green, and black on Arches paper
Signed in pencil, lower right. Numbered 44/50 in pencil, lower left. Customs stamp, upper right verso.
Printed by Arnéra. Published by Galerie Louis Leiris, 1963. (Bloch 1101) (Baer 1312.V.B.a)
Pablo Picasso
Portrait de femme à la fraise et au chapeau
1962
Image: 13 3/4 x 10 5/8 inches Sheet: 24 7/16 x 17 5/16 inches Framed: 34 x 26 3/4 inches
Color linocut printed on cream wove paper with Arches watermark
From the edition of 50 Signed by the artist in pencil, lower right Numbered 19/50 in pencil, lower left Printed by Arnéra, Vallauris Published by Galerie Louise Leiris, Paris 1963 (Bloch 1145) (Baer 1323.VII.B.a.1 (v,2))
Le Dejeuner sur l'Herbe, 1962, linocut, 20 7/8 x 25 1/8 inches
Portrait de Jacqueline
Pablo Picasso
1963
Image: 25 ¼ x 20 7/8 inches Sheet: 29 ¾ x 24 3/8 inches Framed: 36 x 31 1/2 inches
Linocut rincé printed in cream with China Ink on Arches paper
Signed, dedicated and dated 'pour Norman Granz/ son ami Picasso/le. 18.5.69' upper right, in felt-tip pen 5 impressions pulled Printed by Arnéra, 1963 (Baer 1245.C)
Pablo Picasso
Portrait de femme de profil
1965
Sheet: 29 ½ X 24 ½ inches Framed: 38 x 32 ½ inches
Linocut printed in white rincée with India ink black on Arches wove paper with Arches watermark
One of approximately six recorded rincées proofs (there are also one or two proofs printed in black) Printed by Arnéra, Vallauris (Baer 1361)
Picasso with Linocut, 1959
Peintre et modèle au fauteuil
Pablo Picasso
1963
Image: 20 7/8 x 25 ¼ inches Sheet: 24 ½ x 29 5/8 inches Framed: 32 1/2 x 36 3/4 inches
Linocut rincé printed in cream with China Ink on Arches paper
Signed, dedicated and dated 'pour Norman Granz/ son ami Picasso/le. 18.5.69' upper right, in felt-tip pen Baer's first state (of two). One of approximately five impressions (there were also five impressions printed in brown and black). Printed by Arnéra, 1963 (Baer 1347, Z-XXIII 375)
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