Long-Sharp Gallery
Warhol’s 1950’s Printmaking: The Blotted Line
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Warhol’s 1950’s Printmaking: The Blotted Line
Andy Warhol
Andy Warhol was a pioneer in many ways, including his renowned innovation with screenprinting in the early 1960s. His foray into printmaking, however, started a decade earlier and can even be traced to his college days in the late 1940s. Evidence of this is apparent in his “blotted line” drawings from the 1950s.
Warhol’s use of the blotted line technique, where one fresh heavily inked drawing is pressed against a blank sheet of paper to create a corresponding image, is similar to letter press or etching in that the reproductions are made from an inked single source (plate).
Warhol went beyond this. Each next inked impression was often altered, with the addition of line, composition, or color, to create the next work in its journey to finality. Compiled here are a rare group of dual impressions (all adhered by Warhol) that illustrate his early printmaking.
Each work was in the artist’s possession upon his passing (and thus bears the stamp of his estate), was then authenticated by the Andy Warhol Authentication Board (stamped), and was archived with The Andy Warhol Foundation for the Visual Arts (The Foundation). The Foundation’s archive number for each work is written by hand on the back of the work.
Image Credit:
In the Bottom of My Garden Study Drawing © Andy Warhol
Lady with Fan
Andy Warhol
Circa 1954
Size: 14.875 x 21.625 in (37.8 x 54.9 cm); Frame size: 19.5 x 23.5 in (49.5 x 59.7 cm)
Ink on paper, two attached sheets and double-sided
Estate of Andy Warhol (stamped), The Andy Warhol Foundation for the Visual Arts (stamped), Long-Sharp Gallery
Authenticated by the Authentication Board of The Andy Warhol Foundation for the Visual Arts (stamp on verso), Foundation archive number on verso in pencil, initialed by the person who entered the works into the Foundation archive.
32,500 USD
Andy Warhol
In the Bottom of My Garden Study Drawing
Circa 1955
Size: 14.25 x 22.625 in (36.2 x 57.5 cm); Frame size: 27.5 x 33.5 in (69.8 x 80 cm)
Ink, graphite and Dr. Martin’s Aniline Dye on paper (two sheets)
Estate of Andy Warhol (stamped), The Andy Warhol Foundation for the Visual Arts (stamped), Long-Sharp Gallery
Authenticated by the Authentication Board of The Andy Warhol Foundation for the Visual Arts (stamp on verso), Foundation archive number on verso in pencil, initialed by the person who entered the works into the Foundation archive.
45,000 USD
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Roses (Close Up) © Andy Warhol
Flowers
Andy Warhol
Circa 1956
Size: 28.625 x 22.625 in (72.7 x 57.5 cm); Frame size: 33.875 x 43 in (86 x 109.2 cm)
Ink on paper, two attached sheets
Estate of Andy Warhol (stamped), The Andy Warhol Foundation for the Visual Arts (stamped), Long-Sharp Gallery
Authenticated by the Authentication Board of The Andy Warhol Foundation for the Visual Arts (stamp on verso), Foundation archive number on verso in pencil, initialed by the person who entered the works into the Foundation archive.
32,500 USD
Andy Warhol
Untitled (Star Design)
Circa 1956
Size: 38.25 x 28.5 in (97.1 x 72.4 cm)
Ink and tempera on paper
Estate of Andy Warhol (stamped), The Andy Warhol Foundation for the Visual Arts (stamped), Long-Sharp Gallery
Authenticated by the Authentication Board of The Andy Warhol Foundation for the Visual Arts (stamp on verso), Foundation archive number on verso in pencil, initialed by the person who entered the works into the Foundation archive.
42,500 USD
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Accessory (Close Up) © Andy Warhol
Roses
Andy Warhol
Circa 1956
Size: 22.625 x 25.5 in (57.5 x 64.8 cm); Frame size: 28.125 x 34.125 in (71.4 x 86.6 cm)
Ink on paper, two attached sheets
Estate of Andy Warhol (stamped), The Andy Warhol Foundation for the Visual Arts (stamped), Long-Sharp Gallery
Authenticated by the Authentication Board of The Andy Warhol Foundation for the Visual Arts (stamp on verso), Foundation archive number on verso in pencil, initialed by the person who entered the works into the Foundation archive.
32,500 USD
Andy Warhol
Accessory
Circa 1956
Size: 28.625 x 37.5 in (72.7 x 95.3 cm)
Ink and watercolor on paper
Estate of Andy Warhol (stamped), The Andy Warhol Foundation for the Visual Arts (stamped), Long-Sharp Gallery
Authenticated by the Authentication Board of The Andy Warhol Foundation for the Visual Arts (stamp on verso), Foundation archive number on verso in pencil, initialed by the person who entered the works into the Foundation archive.
42,500 USD
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Lady With Fan (Close Up) © Andy Warhol
Woman in Decorative Costume
Andy Warhol
Circa 1956
Size: 14.5 x 38.25 in (36.8 x 97.2 cm); Frame size: 19.5 x 41.125 in (49.5 x 104.5 cm)
Graphite and ink on paper, two attached sheets
Estate of Andy Warhol (stamped), The Andy Warhol Foundation for the Visual Arts (stamped), Long-Sharp Gallery
Authenticated by the Authentication Board of The Andy Warhol Foundation for the Visual Arts (stamp on verso), Foundation archive number on verso in pencil, initialed by the person who entered the works into the Foundation archive.
32,500 USD
Born “Andrew Warhola” in 1928 to Slovak immigrants, Warhol displayed an early talent for drawing and painting. Following high school, he enrolled in Pittsburgh’s Carnegie Institute of Technology, where he studied commercial art. After graduating in 1949, Warhol moved to New York to work as an illustrator for various magazines. He soon became one of New York’s most sought after and successful illustrators and, in 1952, he held his first one-man exhibition at New York’s Hugo Gallery. Warhol quickly became one of the most celebrated commercial artists in the city; his works were featured in every important magazine from Vogue to Harper’s Bazaar.
Widely considered as one of the most influential artists of the twentieth century, Warhol is celebrated for his signature depictions surrounding daily objects of mass production. Identified as the first artist to convey the influence of mass media culture on the American life, Warhol created his most prolific works in the 1960s, when the US was quickly becoming a culture built upon television and mass consumerism. Consequently surrounded by a fascination with impactful and lasting images, audiences soon began to reject typical print media to embrace Warhol’s representation of media and commercialism. Throughout his successful career and numerous iconic collaborations, Andy Warhol continued to firmly establish his patented impact of imagery on the development of our environment and identity. His beloved Campbell’s Soup cans and Coke bottles, as well as his silkscreen prints of famous personalities such as Marilyn Monroe and Elvis Presley are still widely celebrated today. Simply, Warhol is regarded as the King of Pop Art.
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